JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
Translating fiction: a moral case for AI?
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
FOREVER BEYOND AI? Garcia Marquez mural in Aracataca, Columbia: “Wherever I am in the world I am Latin American, but I always feel nostalgia for my homeland, Aracataca; and when I come back I find - in between nostalgia and reality - the raw material of my work.”
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critics MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
NEWS that Dutch publishing house Veen Bosch & Keuning (VBK) has confirmed plans to experiment using AI to translate fiction has stirred up a thought-provoking debate.
Some believe it marks the beginning of the end for human translators, while others see this as the opening up of a new world of possibilities to bring more literature to even more people. These arguments are becoming increasingly vocal as the advance of AI accelerates at an ever-increasing rate.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
