RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Could you live on this?
MARGARET HEFFERNAN draws attention to a new report on the conditions of financial precariousness facing visual artists
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IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ARTISTS are generally thought of as either starving in a garret (La Boheme and all that) or jammy millionaires producing works valued at eye-watering sums (hello, Damien Hirst). But the reality of life in the visual arts is more prosaic and a great deal more worrying, as the publication of Glasgow University’s report into the pressures facing UK visual artists reveals.
The median annual income for self-employed visual artists currently stands at just £12,500, 40 per cent less in real terms than they were earning in 2010. More than half of visual artists take on additional jobs, 51 per cent of which are in non-creative fields.
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