MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
Mid-century Modern
Place Theatre, London/Touring
MARKING 50 years of Richard Alston’s choreography, this trio of works is a reflection on modernism and its place in 21st century dance.
Showcasing some of Richard Alston Dance Company's existing repertoire as well as newly commissioned work, the programme begins with Martin Lawrence’s Cut and Run.
An experiment in light and quick shifts of movement, danced to a score by composers Damian LeGassick and Michael Gordon, there is very little breathing space for dancers and audience in a piece where lighting plays a significant role.
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
WILL STONE witnesses an experimental piano concerto inspired by the work of a young Jewish victim of the Nazis
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed



