The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Soviet/fascist orchestral face-off
SIMON DUFF is thrilled by the provocative pairing of two major works from a time of profound ideological opposition
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
Dmitri Shostakovich, Symphony No 3 / Carl Orff, Carmina Burana
The Barbican, London
A HEADY mix of Dmitri Shostakovich and Carl Orff made for a night of power and drama, exploring extremes of melody nature and history, provided by the London Symphony Orchestra and guests at London’s Barbican.
Orff’s Carmina Burana and Shostakovich’s Symphony No 3 are two major orchestral choral works written within six years of each other, both at times of unprecedented social and political upheaval.
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