GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
Soviet/fascist orchestral face-off
SIMON DUFF is thrilled by the provocative pairing of two major works from a time of profound ideological opposition
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Dmitri Shostakovich, Symphony No 3 / Carl Orff, Carmina Burana
The Barbican, London
A HEADY mix of Dmitri Shostakovich and Carl Orff made for a night of power and drama, exploring extremes of melody nature and history, provided by the London Symphony Orchestra and guests at London’s Barbican.
Orff’s Carmina Burana and Shostakovich’s Symphony No 3 are two major orchestral choral works written within six years of each other, both at times of unprecedented social and political upheaval.
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
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ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
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ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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The sonic possibilities of the violin are tested to their limits in new works, reports SIMON DUFF
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New releases from The The, Memo Comma and Anna Gourari/Orchestra della Svizzera italiana
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Associate artists at LSO St Luke’s, Tangram’s latest work is a music and dance journey exploring the story of two important Chinese 19th century heroines, Afong Moy and Qiu Jin. SIMON DUFF reports
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SIMON DUFF admires new work at the LSO Jerwood Composer + Showcase that employs rap, sampling and live music to explore unashamedly political themes