ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
The politics of massed rapping
SIMON DUFF admires new work at the LSO Jerwood Composer + Showcase that employs rap, sampling and live music to explore unashamedly political themes
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
Politics of the Imagination
LSO, St Luke’s London
ANSELM McDONNELL is an Irish Welsh composer based in Belfast who has composed over 90 works for orchestra, chamber groups and electronics, performed all over the world.
As curator for the event, he has a wide musical imagination with a vision to match, whose two works are central in an event that features 12 compositions by nine composers, covering a variety of styles, ranging from dubstep to Balkan rhythms, rap and beyond, all designed to stimulate the imagination around themes of playfulness, imagination with political concerns to the fore.
The core line-up on stage consists of Louise McMonagle (cello), Heather Roche (clarinet), and Matthew Farthing (percussion), working alongside rap artists Barrowclough, Joel the Custodian and Kosyne.
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