The bard gives us advance notice of his upcoming medieval K-pop releases
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Rapping at the door of the British class system
ADAM DE PAOR-EVANS remembers MC Duke: a pioneering British rapper more people should know about
MC Duke was also acutely aware of the power of image. After
working extensively with young UK photographer Normski, the pair
came up with ORGANISED RHYME's timeless concept Duke dressed
up to the nines as landed gentry, a look later copied wholesale by
British boxer Chris Eubank.
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MC Duke (Kashif Adham) was a key figure in the development of hip-hop in Britain in the late 80s. When he died in April, British rap lost a giant. From the East End of London, Duke strengthened the evolution of the genre in the UK by relating directly to US hip-hop and an emerging British rap identity through his lyrics and visual style.
At the time of MC Duke’s arrival on the rap scene, British hip-hop was transitioning from the electro-based sound by London artists such as DSM, Three Wize Men and Family Quest, to a more sample-based style, much like the sounds of US artists Eric B. and Rakim and Biz Markie.
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