ALAN McGUIRE welcomes the complete poems of Seamus Heaney for the unmistakeable memory of colonialism that they carry
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‘Rock and pop music were the unexpected consequences of the working-class entering history’
BRETT GREGORY speaks with TOBY MANNING, author of Mixing Pop and Politics: A Marxist History of Popular Music
Little Richard, 1984
[Ian Dryden/Los Angeles Times/CC]
GORDON PARSONS is fascinated by a musical — and questioning — survey of Shakespeare’s attitude to women
MATTHEW HAWKINS enjoys the work of reading the essays of a rigorous and leading London/Caribbean cultural participant
ALEX HALL appreciates the history of a famous shoot-out that is sourced from diaries, letters, and newspapers of the time
MARIA DUARTE recommends an extraordinary film that explores an absent father’s attempt to make up to his sons
JOHN GREEN, MARIA DUARTE and LEO BOIX review The Shepherd and the Bear, Hamlet, Twinless, and 100 Nights of Hero
WRITING in the Morning Star, Alistair Findley recommended this 565 page tome which “achieves the seemingly impossible by grounding high-level intellectual scholarship and theory within the popular culture of the day.”
So what initially inspired Manning to put pen to paper?
“I wrote the book after researching Marxist theory,” he says, “and I started to realise how much we skim over the surface of everything in the news and in our understanding of the world”.
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