STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
Coming apart at the seams
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
AWKWARD HOMOGENISING OF RCIAL GROUPS: Gershwyn Eustache Jnr (Buster), Raphel Famotibe (Courtney) and Karl Collins (Horace) in Alterations
[Marc Brenner] 
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
Alterations
National Theatre, London
WHEN a rarely revived play from yesteryear is brought back to life it always begs the question — why now? In the case of Michael Abbensetts’ 1978 work Alterations the answer is clearly “legacy,” but is that enough to warrant such a revival?
Walker Holt (Arinzé Kene) is a man on a mission and it is all hands to the seams in his “not exactly Yves Sant Laurent” Carnaby Street garment modification shop. Mr Nat (Colin Mace), a Jewish forefather of the profession, has called on him to alter hundreds of pairs of trousers within 24 hours, and with a desire to be “the king of the garment jungle,” Kene’s Walker sets about it with frantic fervour.
Caught in the cross-stitch of his aspirations are “wife, just” Darlene (Cherrelle Skeete), subsidiary business partner Buster (Gershwyn Eustace Jnr), the flamboyant and charming Horace (Karl Collins) and sharp upstart Courtney (Raphel Famotibe).
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