CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Theatre: Great Expectations
Bartlett's adaptation is up to Expectations
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Great Expectations
Bristol Old Vic
4 Stars
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MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong
MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play