CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Theatre: Ghosts
Ghosts of hypocrisy that haunt the memory
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Ghosts
Almeida Theatre, London N1
5 Stars
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MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship