CATHERINE STEEL relishes a compelling novel about Augustus’s right hand man, but misses the politics, the cultural shifts, and more detail about his restoration of Rome
Provocative take on Faust in an age of rampant greed
Faustaff: The Mockery
of the Soul
Cockpit Theatre, London NW8
3/5
LIKE Punch and Judy in 16th-century England, Faust and Mephistopheles shows in Germany originated in the commedia dell’arte.
They were a blunt comedic instrument, poking ridicule at Faust and his association with the Devil.
Similar stories
If you only see one show in Edinburgh, make it this one urges EWAN CAMERON
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class



