MATTHEW HAWKINS witnesses a contemporary ballet that represents human life as subjected to artificial intelligence
Teddy Ferrara
Donmar Warehouse
London WC2
2/5
Christopher Shinn’s 2013 play Teddy Ferrara has transferred to the Donmar Warehouse from Chicago’s Goodman Theatre. To be honest it is difficult to see why.
Set on the campus of a large, unnamed US state university, the play aims to focus its lens on the issues facing students in the LBGT community. The university president — played with great verve by Matthew Marsh — much like wider society, would like to believe that great strides have been made on LGBT issues, but the suicide of a gay student on campus the previous year suggests otherwise.
PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class



