PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
Kaash
Sadler’s Wells, London EC1
4/5
KAASH — “if only” in Hindi — is a revival of Akram Khan’s dance piece created some 14 years ago with composer Nitin Sawhney and sculptor Anish Kapoor.
A marriage of contemporary dance and kathak, whose origins lie in the north India of antiquity, it’s a work inspired by “Hindu Gods, black holes, Indian time cycles, tablas, creation and destruction.”
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
SIMON DUFF is thrilled by a visceral, no-holds-barred exploration of the expressive powers of raw material
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company



