PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
The Girl on the Train (15)
Directed by Tate Taylor
3/5
IF YOU’RE not one of the millions who have read Paula Hawkins’s best-selling psychological thriller, then this much-anticipated film adaptation will prove a tense and gripping ride.
The book, described as the next Gone Girl, has an annoyingly confusing — and pretentious — non-linear story, told from the point of view of three women. Rachel, Anna and Megan are odious characters, none of whom have a redeeming feature between them.
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana



