PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
The Dresser
Duke of York’s Theatre, London WC2
4/5
SUBTLY directed by Sean Foley, The Dresser comes across as a fascinating blend of fiction and reality in this intriguing revival.
And Ronald Harwood’s fine play about the backstage power dynamics of an actor and his minions has Ken Stott — TV’s Rebus — giving a stunning performance as the waning protagonist, the Shakespearean “Sir.”
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
EWAN CAMERON trawls the Edinburgh fringe for new political drama
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



