MARY DAVIS welcomes a remarkable documentary about the general strike — politically spot on, and featuring accounts from the strikers themselves — that is available for screenings
BETTER late than never comes to mind, somewhat unhappily, when looking and Frank Bowling’s first major retrospective at Tate Britain.
Now 85, Bowling — Guyanese by birth — moved, aged 19, to Britain in 1953 and studied at the Royal College of Art. David Hockney and RB Kitaj were there too.
Comparisons are useless as all wash of him like water off a duck’s back.
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy
NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend
LOUISE BOURDUA introduces the emotional and narrative religious art of 14th-century Siena that broke with Byzantine formalism and laid the foundations for the Renaissance



