CONRAD LANDIN thrills to the voice of 79-year-old Emmylou Harris, that is enriched rather than compromised by the gravel of experience
AFTER more than a decade, the renowned Lyon Opera Ballet returned to Sadler’s Wells with this unique triple bill, part of the Dance Umbrella festival running in London until the end of the month.
Three female choreographers, all leading names in contemporary dance, tackle Beethoven’s Grande Fugue op. 133, beginning with Lucinda Childs’s take on the composer’s magisterial work.
Playing effortlessly with the tension between classical and contemporary vocabulary, the neat order of carefully structured steps combines with ecstatic movement in a blissful interpretation and Childs’s signature clean and precise style is aided and abetted by gorgeous lighting, costume and stage design from Dominique Drillot.
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF
PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco



