CATHERINE STEEL relishes a compelling novel about Augustus’s right hand man, but misses the politics, the cultural shifts, and more detail about his restoration of Rome
Heather
Bush Theatre, London
HEATHER — Thomas Eccleshare’s story about story-telling — charts the power both of the narratives that we create and those that we tell about ourselves.
It's also an exploration of all the assumptions made in tracking back from fictional heroine to author but, perhaps most powerfully, it's a play that asks us who is allowed to tell what stories and what their price is.
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
MICHAL BONCZA, FIONA O’CONNOR, JAMES WALSH and ANGUS REID review Atlas of Disappearance, Love Me Tender, Bouchra, and This Tempting Madness
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY



