PETER MASON is beguiled by a fascinating account of the importance of cricket to immigrants from the Caribbean to the UK
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Imperial decline
An RSC adaptation of Robert Harris's novels about power politics in ancient Rome loses something in translation from page to stage, says GORDON PARSONS
Power play: Imperium Part II
[Ikin Yum]
The new corporate version of Robin Hood is a betrayal of the anti-colonial hero of the people of yore, suggests DENNIS BROE
PETER MASON is gripped by a novel that confronts corporate callousness with those prepared to act to bring about change
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
A mesmerising novel by Mexican Daniel Saldana Paris, and fierce poetry by Peruvian Dalmacia Ruiz-Rosas Samohod, and Jonathan Gonzalez
PAUL BUHLE an RAYMOND TYLER enjoy an issue of the radical comic WW3 that gives a platform to Palestinian artists, and uncensored commentary
Imperium Parts I and II
The Swan Theatre, Stratford-upon-Avon
MIKE POULTON, adapter of Robert Harris’s trilogy of novels narrating the life of the great Roman orator Cicero, clearly recognises the problems anyone dramatising a novel has to cope with.
There's not only often the weight of plot detail involved, he's said, but also the demands on the linear narrative progression in theatre where, unlike in the novels, audiences cannot check back on incidents and characters.
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