STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
Seasonal light and darkness in Emma Rice's illuminating Matchgirl

The Little Matchgirl and Other Happier Tales
Bristol Old Vic
IN MANY ways, this production of some of Hans Christian Anderson’s best-known stories is traditional Christmas fare, complete with witty rhyming couplets, bright inventive costumes, song, dance and audience interaction and a spattering of jokes.
But it is so much more. The Matchgirl, a mute war refuge, is a vulnerable puppet who burns her matches to conjure up other stories narrated by a music-hall performer and his vaudevillian troupe.
More from this author

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic

SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials

SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa

SIMON PARSONS applauds a tense and thoughtful production that regularly challenges our political engagement and prejudices
Similar stories

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic

SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale

SIMON PARSONS applauds a moving version of Ishiguro’s vision of a world in which science and ethics have diverged

SIMON PARSONS marvels at a production of Williams’s early masterpiece that transforms the play into a symbolic slow dance of tensions, fears and desires