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The Shadow Factory
NST City
Southampton
IT WOULD be difficult to conceive of a more resonant production to open Southampton’s new 450-seat theatre than The Shadow Factory.
The Battle of Britain may be the context for this premiere of Howard Brenton’s play but the subject matter is the battle between locals in the city and the wartime government’s authoritarian approach to its people and their property.
After the 1940 bombing of the nearby Spitfire factory, homes and businesses were requisitioned under the Emergency Powers Act, to enable production to continue in a “shadow factory.”
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow
GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare


