PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
Mid-century Modern
Place Theatre, London/Touring
MARKING 50 years of Richard Alston’s choreography, this trio of works is a reflection on modernism and its place in 21st century dance.
Showcasing some of Richard Alston Dance Company's existing repertoire as well as newly commissioned work, the programme begins with Martin Lawrence’s Cut and Run.
An experiment in light and quick shifts of movement, danced to a score by composers Damian LeGassick and Michael Gordon, there is very little breathing space for dancers and audience in a piece where lighting plays a significant role.
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed



