MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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No antidote to toxic masculinity
KATHERINE M GRAHAM is unconvinced by a play a male response to #MeToo
[Manuel Harlan]
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
The Prudes
Royal Court, London
JESS and Jimmy haven’t had sex for 14 months and four days.
They want to solve the problem once and for all and that means confronting their pasts and their anxieties and, as their relationship and desires come under scrutiny in Anthony Neilson's The Prudes, it becomes obvious that Jimmy is really struggling to deal with contemporary sexual politics.
He’s a good guy, but it’s really hard to be a good guy.
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