EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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Sketchy results in bringing London to life on stage
Challenged: Penny Layden, Sophie Wu and Nav Sidhu in Sketching
[Simon Annand]
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
Sketching
Wilton’s Music Hall, London
SKETCHING, an ambitious take on Sketches by Boz, employs James Graham in collaboration with eight emerging writers to create a collage of London today in Dickensian style.
Four of the interwoven tales provide a fantastical plot, while the others add colour with a range of largely forgotten citizens moving on with their lives.
The episodic nature of the performance, mainly populated with caricatures, is enhanced by Elliot Griggs’s cartoon-style projections of the capital’s buildings and the atmospheric surroundings of Wilton’s Music Hall.
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SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY