Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Promising take on Thatcher's legacy runs out of gas
PIC CAP: Spot on: Rina Fantania in Approaching Empty Pic: Helen Murray
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Approaching Empty
Kiln Theatre, London
THE DEARTH of northern voices, especially authentic working-class ones, on the London stage made the proposition of Ishy Din’s Approaching Empty an appealing one.
His third play, set in a Middlesbrough cab office, draws directly on his experiences as a taxi driver in the city and explores the post-industrial fortunes of middle-aged Asian men against the fitting backdrop of Margaret Thatcher's death in 2013.
It gets off to a lively start, with ruthless entrepreneur Raf (Nicholas Khan) trading blows with his best friend of 40 years and well-meaning assistant Mansha (Kammy Darweish) over the future of the business and the legacy of Thatcher.
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