STEPHANIE DENNISON and ALFREDO LUIZ DE OLIVEIRA SUPPIA explain the political context of The Secret Agent, a gripping thriller that reminds us why academic freedom needs protecting
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Instructive lessons in Class
SIMON PARSONS recommends an evocative snapshot of an education system struggling to cope with deprivation
Excellent: Stephen Jones, Sarah Morris and Will O’Connell
[Helen Murray]
TONY BURKE speaks to producer and broadcaster LUCY DURAN about her new project — Guitari Baro
JONATHAN TAYLOR is intrigued how good storytelling can make a hobby as obsessional as metal detecting seem fascinating
ROB HARGREAVES is moved by the way that memories of the Spanish civil war still stir our passions
RON JACOBS sees similarities between the personality of the the Spanish Dictator Francisco Franco, and Donald Trump
RUTH AYLETT recommends this book if you want to learn how AI’s large language models work
Class
Bush Theatre, London
EXPLORING the interchanging relationships between two estranged working-class parents and their son’s well-intentioned teacher in a run-down Irish primary school, this carefully constructed three-hander — first seen at Dublin’s Abbey Theatre — is notable for some outstanding performances.
Stephen Jones masterfully portrays weekend dad Brian, dealing with a well of pent-up anger at his life. Forced back into the school to face the truth about his son’s educational problems, childhood resentment of authority soon resurfaces, while Sarah Morris gives a wonderfully nuanced performance as as his poorly educated wife Donna.
Reverting to childhood subservience on returning to the school she used to attend, and in the face of her outspoken husband, she gradually comes into her own when forced to make a stand.
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