RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation

SELVA ALMADA’S debut novel The Wind That Lays Waste (Charco Press, £9.99) is set in the north-eastern region of Argentina, a place of lush rainforests, lowland plains and forested valleys.
It’s a rich and varied region, where the weather reigns supreme — from wet and humid summers and warm winters to extended periods of drought and abundant rain.
That natural environment is the setting for Almada’s book, which begins as Reverend Pearson and his daughter Leni stop at a workshop owned by old mechanic Gringo Bauer and his young son Tapioca after their car breaks down.

A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin

LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez

LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro

LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency