Skip to main content
Work with the NEU
Pertinent history lesson
The insights into women and power in a new play on Elizabeth I resonate uncomfortably as an arch-misogynist returns to Downing Street, says KATHERINE M GRAHAM
CONFLICTED: Abigail Cruttenden as Elizabeth I [Johan Persson]

Swive [Elizabeth]
Sam Wanamaker Theatre, London

WATCHING any piece of theatre on the night of a general election is an odd experience. But watching one which shows us a thoughtful, philosophical and astute ruler while the country elects Boris Johnson is particularly jarring.

Ella Hickson’s Swive, tightly directed by Natalie Abrahami, is an epic and sweepingly poetic engagement with the life of Elizabeth I, with her childhood, imprisonment, ascension to the throne, leadership challenges and desires all under scrutiny.

Despite the epic historical scale, a sense of intimacy prevails, with the settings predominantly domestic. Four actors play nine roles, with Nina Cassells as the princess and Abigail Cruttenden as the queen and it is abundantly clear that in both these stages of her life Elizabeth’s power is bound up with her sex.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
hookah
Theatre Review / 27 July 2026
27 July 2026

SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community

venus and adonis
Theatre Review / 23 June 2026
23 June 2026

GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem

hamlet
Theatre Review / 6 October 2025
6 October 2025

MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth