Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Radical Figures: Painting in the New Millennium, Whitechapel Gallery London
Striking images in eclectic exhibition
Tschabalala Self, Koco at the Bodega, 2017; Dana Schutz, Imagine You and Me, 2018
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
WITH painting, like most art, the less said the better.
That possibly applies to the words of this exhibition's curator Lydia Yee. There is little evidence here that “these artists are challenging and expanding the canonical Western painting tradition,” whatever that may be.
The large paintings assembled in the spaciousness of the main galleries are what paintings have always been — a mix of the familiar and the unexpected, the intriguing and the not-so.
More from this author
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
