PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
THERE’S something deeply frightening about the precarity at the heart of EV Crowe’s new play, an absurdist take on the life of estate agent and harassed working mother Viv.
“I get so scared of how close we live to not being able to live,” Viv tells us. Having lost a shoe from her only pair, she tries to get through her day wearing only one and, as her foot gets increasingly bloody and swollen, her ability to remain anchored falters. But her desire to somehow carry on remains.
The extraordinary Katherine Parkinson is Viv and the nuance of her tone in her moving depiction of Viv’s slow unravelling and her determination to continue, ever more absurd and bizarre, is
wonderful and her reactions to a talking curtain are a delight. They’re also unsettling.
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
MICHAL BONCZA, FIONA O’CONNOR, JAMES WALSH and ANGUS REID review Atlas of Disappearance, Love Me Tender, Bouchra, and This Tempting Madness
A six minute animation that conveys the horror of atomic war A Short Vision, made in 1956, is more effective than any drama, writes LINDA PENTZ GUNTER



