PETER MASON is beguiled by a fascinating account of the importance of cricket to immigrants from the Caribbean to the UK
Latest editorial
Wonderland, Hampstead Theatre London
Powerful reminder of the war against the miners in 1984-85
The new corporate version of Robin Hood is a betrayal of the anti-colonial hero of the people of yore, suggests DENNIS BROE
PETER MASON is gripped by a novel that confronts corporate callousness with those prepared to act to bring about change
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
A mesmerising novel by Mexican Daniel Saldana Paris, and fierce poetry by Peruvian Dalmacia Ruiz-Rosas Samohod, and Jonathan Gonzalez
PAUL BUHLE an RAYMOND TYLER enjoy an issue of the radical comic WW3 that gives a platform to Palestinian artists, and uncensored commentary
BETH STEEL'S Wonderland, the second of Hampstead Theatre’s trio of free online productions, was originally performed in 2014.
Even then, its hard-hitting political message — presented through a mixture of song and documentary commentary — must have reminded those with long memories of John McGrath’s innovatory 7:84 touring company of the 1980s.
Dealing with Thatcher’s carefully pre-planned and ruthless 1984-85 war against the miners, Edward Hall’s production takes us down the pit, where we meet the Iron Lady’s “enemy within” — the men who worked in an environment and under conditions that for most people would be viewed as a daily hell.
Similar stories
PETER LAZENBY is fascinated by a book of cartoons that shows how newspaper cartoonists were employed to, on the one hand, denigrade and, on the other, to defend the miners’ strike of 1984-85
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
Remembering KEN CAPSTICK, vice-president of the National Union of Mineworkers Yorkshire Area