With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
ORIGINALLY performed in 1989, Palermo Palermo was filmed soon afterwards and now, digitally remastered, it reconnects with the neoexpressionist form of dance known as Tanztheater which German dancer, choreographer and director Pina Bausch so brilliantly realised.
An artwork of immense originality, it evokes the lifestyle and atmosphere of the Sicilian city and marked the beginning of Bausch’s obsession with dance as travelogue.
Ceaselessly creative, it captures the nuances of human life set against a backdrop of relentless decay and fruitless power struggles.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture
PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco



