MARIA DUARTE and ANDY HEDGECOCK review The Tasters, A Pale View of Hills, How To Make a Killing, and Reminders of Him
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Palermo Palermo
Masterpiece of contemporary dance transcends frontiers
CROSSING DIVIDES: Tanztheater Wuppertal
SYLVIA HIKINS celebrates the chance that a new memoir offers to explore Frieda Brewster’s remarkable life story
JOHN GREEN is intrigued by an explanation of irrational behaviour from the point of view of brain science
PAUL DONOVAN enjoys a somewhat rose-tinted survey of Brown’s achievements and legacy, as well as his moments of political cowardice
GUILLERMO THOMAS recommends an important, if dispiriting book about the neo-colonial culture of Uganda under Yoweri Museveni
SUSAN DARLINGTON applauds the sensuality and strong characterisation of an unconventional ballet about an unconventional woman
ORIGINALLY performed in 1989, Palermo Palermo was filmed soon afterwards and now, digitally remastered, it reconnects with the neoexpressionist form of dance known as Tanztheater which German dancer, choreographer and director Pina Bausch so brilliantly realised.
An artwork of immense originality, it evokes the lifestyle and atmosphere of the Sicilian city and marked the beginning of Bausch’s obsession with dance as travelogue.
Ceaselessly creative, it captures the nuances of human life set against a backdrop of relentless decay and fruitless power struggles.
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