Skip to main content
Gifts from The Morning Star
Brief lives brave lockdown
MARY CONWAY recommends a touching short drama on people trying to connect during the pandemic
REAL: Miriam Margolyes

Watching Rosie
Original Theatre Online

SHORT plays are catching on at a time when brief snippets of other people’s lives add colour and vigour to enforced domesticity and Watching Rosie — a miniature close-up of life in lockdown — is a little gem.

Written by Louise Coulthard and benefiting from a star cast, it’s a gentle, touching conversation between Rosie and her dementia-prone Gran. While the former is anxious and strained, Gran is coping, in a bemused sort of way, with an enforced lockdown imposed on her by a government who see her as a prime Covid risk.

Only when the doorbell rings and Gran leaps to the door for company, is there a sense of her desperate aloneness, otherwise masked by disconnected chit-chat interspersed with startling moments when her grasp on reality takes a sudden nose-dive.  

Her eagerness for company sees her trying hard to coax the delivery man in and even to set him up with the single and isolated Rosie, who is being transported around the house on screen like some kind of squeaking incubus.

Miriam Margolyes reins in her normal outrageousness to give us a Gran as real and lovable as if she were our own, while Amit Shah is the charming and instantly empathetic delivery man who sticks to the rules, doesn’t cross the threshold but, also desperate for company, connects instantly with the talking screen and almost makes a date.

Louise Coulthard herself brings us a warm and self-effacing Rosie who watches Gran with the kind of growing disbelief that characterises the despairing relatives of dementia sufferers.

As Rosie watches Gran and we watch Rosie, Michael Fentiman directs the whole piece as a slice of modern life, with the heightened moments of humour gently reminding us that this is art and not reality.  

And, at barely 15 minutes, the play feels like a simple watercolour capturing in a moment both character and situation.

It’s easy to feel dissatisfied by a drama that in the end doesn’t play out. But Watching Rosie doesn’t intend to be a drama — it’s a moment in time that speaks to the present climate.

Available online until September 30, originaltheatreonline.com

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
moon
Theatre review / 27 June 2025
27 June 2025

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play

NUANCED AND COMMANDING: Bessie Carter as Vivie Warren) and Imelda Staunton as Mrs Kitty Warren / Pic: Johan Persson
Theatre review / 25 May 2025
25 May 2025

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow

The cast in Regarding Shelley / Pic: Upstairs at the Gatehouse
Theatre / 23 May 2025
23 May 2025

MARY CONWAY is disappointed by a play that presents Shelley as polite and conventional man who lives a chocolate box, cottagey life

5ht
Theatre review / 21 May 2025
21 May 2025

MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction

Similar stories
NUANCED AND COMMANDING: Bessie Carter as Vivie Warren) and Imelda Staunton as Mrs Kitty Warren / Pic: Johan Persson
Theatre review / 25 May 2025
25 May 2025

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow

dealers
Theatre Review / 30 April 2025
30 April 2025

MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards

DREAD ANTICIPATION: Khawla Ibraheem performs her one woman s
Theatre Review / 28 February 2025
28 February 2025
MARY CONWAY applauds the dramatic reconstruction of one woman’s experience in one precise location in Gaza in the present era
TIMBERS SHIVERED: The cast of Treasure Island at the Royal L
Theatre review / 29 November 2024
29 November 2024
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes