MATTHEW HAWKINS relishes the valiant defiance of two gay Scottish painters whose example resists both collectors’ taste and historical fiction
First class from First Nation
TOM KING recommends a groundbreaking performance of Handel's Messiah
Diyet of the Southern Tutchone, who performed Oh thou that Tellest Good Tidings of Zion
[Robin Whiffen (Against the Grain)]
Essays on contemporary Latin American feminism, a poetry debut by a queer Texan of Mexican heritage, and a lush volume of tango and milonga drawings
JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
The bard pays homage to his two muses: his wife and his football club
MARY CONWAY is disappointed by an incoherent show that fails to question stereotypical assumptions about the Soviet Union
WILL STONE, JAMES WALSH and MARIA DUARTE review Souleymane’s Story, Sunlight, Good Fortune, and After The Hunt
HANDEL’S Messiah — perhaps the most famous piece of choral music in history, chronicling the birth, death and resurrection of Christ — is usually performed to packed audiences the world over at Christmas.
But this year many choirs, amateur and professional, haven’t sung together since March and face the prospect of not doing so again for quite some time.
But every cloud, to employ that well-worn phrase, has a silver lining. Unable to give their annual performance of Handel’s masterpiece, Toronto-based opera company Against the Grain decided to film one instead — with a twist.
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DAVID YEARSLEY argues that Bach’s most beloved seasonal offering, the Christmas Oratorio, is anything but music of peace and goodwill