CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
The New Abject
Real and abstract revulsion compelling themes of dread-zone anthology
ORACLE OF ABJECTION: Julia Kristeva
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DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
MICHAEL STEWART applauds a fun send-up of the substandard Agatha Christie whodunnit
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
BRENT CUTLER unpicks the cryptic clues of a book within a book within a murder mystery
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
ACCORDING to critic and psychoanalyst Julia Kristeva, abjection involves either a confrontation with our sense of physical being or a separation between the self and a rejected “other.” Objects of revulsion can be tangible, such as faeces and bodily fluids, but some forms of dread are abstract and ambiguous.
The New Abject collection of horror stories draws on the broad nature of Kristeva’s definition, which has inspired a loosely related set of tales that deal with the things that make us shudder and retch.
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