New releases from Public Image Ltd, William Basinski, and John Luther Adams
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Exiles
Victoria McNulty’s bitter-sweet Glasgow kiss of a prose-poem is a stunning response to class oppression
POETICALLY INVENTIVE: Victoria McNulty
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
DIGNIFIED, fearless and profoundly compassionate, Victoria McNulty is the Maria Callas of a Glasgow Barrowlands tongue-lashing.
Her spoken-word film-poem Exiles flies on volleys of hip-hop word-painting, gyrates over the rooftops of the city and identifies the Everyman in the crowd.
There is Icarus, the beautiful doomed youth who will fly too close to other people’s wars and whose only fear is not being frightened.
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