PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
COVID REQUIEM, which will take place at Pitlochry theatre this September, is a first response by theatre-makers to the devastating loss of life that has been suffered in the UK because of the pandemic. It is the initiative of the playwright and performer Jo Clifford.
Her remarkable career spans from classic shows like Ines de Castro and Losing Venice, to her recent monologues as a transgender performer, Jesus, Queen Of Heaven and Eve. The reception of these plays in the UK and internationally gives her good reason to believe in theatre as a tool for social change and collective healing.
Covid Requiem will be a promenade performance through mature woodland, whose itinerary follows the five stages of grief. It is the last production in a remarkable open-air season at Pitlochry that has seen the company adapt to Covid restrictions, and in doing so to develop works that seek a new relationship to the audience and the wider world.
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
CHRIS SEARLE speaks to US saxophonist CAROLINE KRAABEL
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
Gisele Pelicot said ‘shame must change sides.’ We may think we agree, but, argues LOUISE RAW, society still has some way to go



