EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Rice
The North Wall Arts Centre
ATC’s latest production is a stylish two-hander exploring the communication and identity issues of immigrants, in this case a third generation Indian Australian businesswoman and a first generation Chinese Australian cleaner.
Effortlessly slipping between a dozen or so roles, Anya Jaya-Murphy and Angela Yeoh, playing the respective main characters of Nisha and Yvette, establish a raft of family and business associates with amusingly sharp physical and vocal changes. These abrupt transformations and brief interchanges on a sterile, minimalist office set create a cartoon strip style to the production.
Ambitious, workaholic Nisha sees herself as the company’s Indian executive but is totally at sea when returning to India to try to land a contract supplying Australian rice to the government for public distribution while failed entrepreneur and cleaner Yvette has alienated herself from her Chinese roots and cannot deal with her feisty daughter’s generational values and attitudes.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
SIMON PARSONS applauds the timely revival of a play about solidarity and betrayal within Britain’s Pakistani community
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring



