MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
Latest editorial
An epic three hour marathon
Max Cooper and Unspoken Words sleeve design
[Cooper photo: JTs/Creative Commons]
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
Max Cooper
The Roundhouse
AN ambient murmur can be heard from inside the Roundhouse’s colosseum-esque interior — complete with its frustrating pillars that support its roof and do a great job of getting in the way.
Of course, the atmospheric rumblings means Max Cooper has just started his set — what will be an epic three-hour marathon — showcasing not just his impressive latest release Unspoken Words but past favourites and a decidedly clubby techno mix.
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