MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
Latest editorial
Alive and well!
Glasto’s all-embracing formula stands the test of time, writes WILL STONE, who had a whale of a time
Yoga workshop in the Healing Field
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
THE best-laid plans of mice and men often go awry, and this is never truer than at Glastonbury.
Finally celebrating its 50th anniversary two years late due to pandemic-induced lockdowns, the festival was back with a vengeance as the youngest (Billie Eilish) and oldest (Paul McCartney) ever headliners graced the Pyramid stage alongside acclaimed rapper Kendrick Lamar.
Even the much-lauded Clashfinder won’t help you at this itinerary-defying pop-up metropolis, with many a compromise having to be made to the altar of the gods of impulse and going with the flow.
Similar stories
TOM STONE sings the praises of one of the oldest open-air festivals in Britain
BBC accused of silencing acts at Glastonbury for standing in solidarity with Palestine
