PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
THIS time last year, the late great Morning Star arts editor Cliff Cocker wanted me to use my monthly feature to discuss a piece I was commissioned by Durham Brass Festival to compose.
Sadly, a few weeks before the premiere was due, Covid meant the festival was cancelled — and in turn I wrote a different article to fill its place. Sadly too, as regular readers will know, we lost Cliff a few months later, and I didn’t get the opportunity to share with him that side of my work he was extremely eager to support.
However, cogs have turned, and the Earth has made its celestial journey around the sun and we are quickly approaching Durham Brass Festival again, and I felt it was ideal to use my feature in the star to write an article Cliff wanted.
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG


