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Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
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Breaking the mould emphatically
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
Odysseus’s homecoming myth is treated as a factual story, with strong resonances for our contemporary world. This is an implicit anti-war film that has an urgent relevance, writes JOHN GREEN
The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
Hania Rani
Barbican, London
GIFTED contemporary classical composer and pianist Hania Rani presents her acclaimed album Ghosts, especially reworked for a seven-piece ensemble that is currently touring some of Europe’s most prestigious venues.
The ensemble’s instruments, including saxophone, cello, violin, guitar and trumpet, lend a vibrancy of sounds to the otherworldly ambience of the record — and comes a step closer to realising Rani’s conceptual vision for the work.
One of Poland’s most celebrated musical exports, the 34-year-old is already making a name for herself in the male-dominated world of modern classical music, becoming associated with the likes of Olafur Arnalds, who collaborates on the album’s Whispering House, as well as Nils Frahm and Max Richter.
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