RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation
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Letters From Latin America: July 21, 2022
New titles from across the continent: fiction by Mexican Juan Pablo Villalobos and Peruvian Katya Adaui and poetry collections by Chilean Veronica Zondek, Peruvian Julia Wong Kcomt and Mexican Adriana Diaz Enciso
TOM KING relishes an enlightening history of the checkered progress of the war that humanity has waged on bacteria
ANDY HEDGECOCK is intrigued by a scholarly account of how systemic disinformation can exacerbate the perception of threat and foster hatred
New releases from Cuban pianist Aruan Ortiz, trumpeter Kenny Dorham, and London pianist Geoff Castle
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms
INVASION of the Spirit People (And Other Stories, £11.99) is Juan Pablo Villalobos sixth novel and one of his most compelling.
The story set in unnamed city where migrants battle against a worrying rise of neofascism, right-wing nationalism and societal paranoias about foreigners.
The main character, a middle-aged man “from the Southern Cone” called Gaston who is best friends with Max, an immigrant who runs a shabby restaurant in the city, and Pol, Max’s son, a young biologist sent to the tundra to research micro-organisms capable of surviving in extreme conditions.
More from this author
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro
LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency
