DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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‘I’d like each listener to interpret the sounds in their own personal way’
Chris Searle speaks with drummer TOMAS FUJIWARA
Tomas Fujiwara
[courtesy of Tomas Fujiwara]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
TOMAS FUJIWARA, born in Boston in 1977, started on drums when he was seven and heard his dad’s record of a Max Roach/Buddy Rich drums contest.
“No-one else in my family is a musician,” he tells me, “so music was something very much of my own. I had to figure it out as I went along, with the encouragement and support of my parents.
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