MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
Impossible not to feel invigorated
omar
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
Omar Souleyman
Jazz Cafe
A SINGLE A-board sits outside the Jazz Cafe emblazoned with the words Global Dance Icon — Omar Souleyman. More of a nod to the dry humour of this most beloved of Syrian singers than a sign of an ego-tripping diva, though Souleyman truly has become something of a cult sensation.
Hailing from humble origins in the village of Ra’s al-’Ayn near the Syria–Turkey border, he began as a part-time singer at weddings where the dabke is performed, a traditional folk music performed during line-dances and popular on celebratory occasions.
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