LEO BOIX recommends a ravishing, full-bodied drama about the intensely demanding and emotional art of Kabuki theatre
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Girls in blue
SUSAN DARLINGTON is disappointed by a show that aims to highlight misogyny within the police but fails to arrest the audience's attention
(L to R) Eddie Ahrens, Rachel Hammond, Hannah Baker and Harvey Badger in A Force To Be Reckoned With
[Robling Photography]
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A Force to be Reckoned With: Wetherby Whaler, Guiseley
INTIMATE community shows about big subject matters are something in which Mikron specialises, having previously tackled the suffragette movement and the NHS. An exploration of pioneering women in the police should be an easy win, especially at a time the force is under increasing scrutiny about institutional misogyny.
It’s therefore disappointing to find that Amanda Whittington’s A Force to be Reckoned With fails to arrest the audience’s attention.
The four-handed play centres on WPC Iris Armstrong (Hannah Baker), an eager-to-please new 1950s recruit who can quote passages of the law verbatim. Her dreams of walking the beat are challenged by the reality of typing and making drinks for her two male colleagues (Eddie Ahrens and Harvey Badger), until she teams up with ambitious and no-nonsense WPC Ruby Roberts (Rachel Hammond).
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