PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
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Rite back atcha
MATTHEW HAWKINS relishes the enduring legacy of the legendary choreographer Pina Bausch, but is in two minds about new mythology-driven works
The Rite of Spring, Edinburgh International Festival
[Maarten Vanden Abeele]
LEO BOIX applauds an audacious, self-questioning film about grief, friendship and film-making
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANDY HEDGECOCK, JAMES WALSH and JAMIE BRITTON review Hanging by a Wire, I Want Your Sex, The Pout-Pout Fish, and Rise of the Foot Soldier: Retribution
Chris Searle speaks to US pianist RAN BLAKE
The Bard hands out medals for his Edinburgh campaign and urges us to support The Men They Couldn’t Hang
GERMAINE ACOGNY is the mother of Contemporary African Dance, among whose achievements is the founding of the Ecole des Sables in Senegal.
Malou Airaudo is a diva of Pina Bausch’s early work, (including Rite of Spring) and a renowned contributor amid the faculty of Folkwang University of The Arts in Essen.
Embodying their spirits and legacies, they perform their co-choreographed duet Common Ground(s) ★★★★★.
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