Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
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Students out to make their mark
BEN LUNN reviews an afternoon with the champion of Scotland’s composers
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Red Note Ensemble
Fridays at One
Royal Conservatoire of Scotland
A CHOCK-A-BLOCK concert hall, new premieres, and work by a 20th-century master is instantly a recipe for an interesting afternoon – however, like many recipes with the right chef and ingredients, make for a fantastic concert.
Red Note Ensemble, have been a solid champion of Scotland’s composers, managing to make space for growing talents and bigger giants in equal measure, and this concert was a good demonstration of this. The three premieres were by student composers within the Royal Conservatoire of Scotland – Kate Sagovsky, Kassia Bailey, and Kaiwen Liu.
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