KEN COCKBURN traces the one original language – that of the Yamnaya pastoral nomads – from which all European and Indian languages derive
The Rest of our Lives
Battersea Arts Centre
BATTERSEA Arts Centre now bills itself as “a home for the extraordinary,” and this effervescent, melancholy, skilful show is exactly the right stuff.
Self-identifying as an old dancer and an old clown, Jo Fong and George Orange create a sweetly anarchic hour or so, with dance, acrobatics, and the best playlist of dance songs outside a wedding in the Welsh Valleys.
Fong is as earnest as a new primary schoolteacher, and just as anxious, with Orange as her lugubrious and long-suffering foil.
MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
MATTHEW HAWKINS welcomes an engaging and nourishing account of the queer subculture that flourished in London between WWII and partial decriminalisation
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company


