The Star's critics ANDY HEDGECOCK and MARIA DUARTE review The Blue Trail, Kiss of the Spider Woman, Colours of Time, Glenrothan
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Clown jewels
LYNNE WALSH relishes a sweetly anarchic hour of dance and acrobatics, underscored by a big theme
DANCE ME: Jo Fong and George Orange in The Rest of Our Lives
[Sara Teresa]
CHRIS SEARLE on Mike Westbrook who died aged 90
STEVE JOHNSON speaks to JIM MORAY about an album that marks 25 years since his first
DENNIS BROE observes how cutbacks, mergers and AI create content detached from both reality and history itself
SAHAR MARANLOU explores a novella, newly translated and republished in English that tells the history of Iran through women’s bodies
DAVID NICHOLSON applauds the revival of a joyous production that deals with choirs, competitions and communism
The Rest of our Lives
Battersea Arts Centre
BATTERSEA Arts Centre now bills itself as “a home for the extraordinary,” and this effervescent, melancholy, skilful show is exactly the right stuff.
Self-identifying as an old dancer and an old clown, Jo Fong and George Orange create a sweetly anarchic hour or so, with dance, acrobatics, and the best playlist of dance songs outside a wedding in the Welsh Valleys.
Fong is as earnest as a new primary schoolteacher, and just as anxious, with Orange as her lugubrious and long-suffering foil.
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