PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
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Soviet/fascist orchestral face-off
SIMON DUFF is thrilled by the provocative pairing of two major works from a time of profound ideological opposition
WE LOVE THE RED SOCKS SONNYBOY: LSO, conducted by Gianandrea Noseda perform Carmina Burana
[Andy Paradise ]
LEO BOIX applauds an audacious, self-questioning film about grief, friendship and film-making
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANDY HEDGECOCK, JAMES WALSH and JAMIE BRITTON review Hanging by a Wire, I Want Your Sex, The Pout-Pout Fish, and Rise of the Foot Soldier: Retribution
Chris Searle speaks to US pianist RAN BLAKE
The Bard hands out medals for his Edinburgh campaign and urges us to support The Men They Couldn’t Hang
Dmitri Shostakovich, Symphony No 3 / Carl Orff, Carmina Burana
The Barbican, London
A HEADY mix of Dmitri Shostakovich and Carl Orff made for a night of power and drama, exploring extremes of melody nature and history, provided by the London Symphony Orchestra and guests at London’s Barbican.
Orff’s Carmina Burana and Shostakovich’s Symphony No 3 are two major orchestral choral works written within six years of each other, both at times of unprecedented social and political upheaval.
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